annagzirishvili@gmail.com

BIO

Ana Gzirishvili (1992 Tbilisi, Georgia) is a multimedia artist based in Tbilisi. Ana is a DAAD scholar and a graduate of Universität der Künste Berlin, New Media & Film Class led by professor Hito Steyerl. Throughout her experimental practice, Ana has made use of mediums ranging from film and lens-based media to CGI, from drawing and painting to poetry, reading performances, installations and sculptures. Her projects often examine the in-between spaces and points of touching of objects, spaces, narratives through diassembling and reassambling them both physically and contextually. Interest in in-between spaces in Ana’s practice comes from working with poetry and translation, from thinking about a treshhold between material-immaterial realms, as well as from a center-periphery discourse.

SELECTED SHOWS

Solo

Snaps, E.A Shared Space, Tbilisi, 2023. 

Damp, Curled, Performance, Left Bank Tbilisi, Glasshouse Berlin, 2022.

CREVICE, LAMENT.TV, Berlin, 2021.

Do Not Touch, ACUD Gallery, Berlin, 2020.

Group

Upcoming: Tsinamdzgvrishvili 49 / Mazniashvili 10, LC Queisser, Tbilisi, 2023.

Greenhouse, a musical theatre piece, Open Space Tbilisi, 2022-2023.

FIVEROOMFLAT, an artist-curated group show hosted in an old Tbilisi apartment, 2022.

Chewing Fat, Kristina Kite Gallery, LA, 2022.

Two Shapes of Leaf on Tree, East Slovak Gallery, Košice, 2021.

Rites of Passage, OXYGEN, Biennial, Tbilisi, 2021.

Shedevil, MAXXI (the National Museum of 21st Century Arts) Rome, 2021.

FIRELAND, One Gee in Fog, Geneva, 2021.

Subtropical Cultures, Tbilisi Photography & Multimedia Museum, Tbilisi, 2020.

Post.Digital.Dreams by In-between Conditions, Arts and Innovations Hub Tbilisi, 2020.

Weight of Abundance, Gallery Zeller Van Almsik, Vienna, 2019.

Dreaming Facts, Galerie Weisser Elefant, Berlin, 2019.

Body / Tech. Die Technologisierung des Körpers, Museum Angewandte Kunst, Frankfurt am Main, 2018.

2031, Screen City Biennial, Stavanger, Norway, 2017.

2031, at Cycle Art Festival – Kopavogur Art Museum, Reykjavík, 2017.